In the division of the historical periods of Chinese music, school song is generally regarded as the beginning of the history the modern Chinese music.
在中国音乐史的分期中，常常把学堂乐歌看作是中国近现代音乐史的开端。
Painters throughout art history from the Northern Song, Baroque, Rococo and Hudson River School tailored their depictions of nature to serve an artistic narrative.
艺术史上的画师从北宋年间到巴洛克和洛可可时期，及至哈德逊河画派，都通过描绘自然来达到艺术叙事的效果。
Xia Congpu clearly put forward the concept of Tang and Song School in 1922. The concept was set in Guo Shaoyu's the History of Chinese Literary Criticism, which was first published in 1947.
夏崇璞在1922年明确提出“唐宋派”的概念，这一概念至郭绍虞在初版于1947年的《中国文学批评史》中才得以定型。
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