The leisure culture of Tao Qian is "poetic inhabitation" in its nature, which can be explored from two perspectives: his poetic life and living poet.

陶潜闲情文化的实质是“诗意的栖居”，可以从他生活的诗意化和诗意的生活化两个角度来对其进行剖析。

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This paper focuses on their identity dilemma from the aspects of exile inhabitation from south, contradictory of philosophical thoughts and poetic aesthetics.

本文认为他们的身份一直处于尴尬的境地，并从其生活经历，前后不一致的思想和复杂的诗学特征三方面来说明其处境。

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