China is known as \"painting identity\" said; regardless of books and paintings using the tools are the same。 T Bank Yunbi skills such as the same Chinese calligraphy is \"line-defined\" and Chinese painting has always been a \"line modeling\" (lines as the main means of modeling)。 Despite the innovation of Chinese painting in color as a breakthrough point and a lot of color mainly to the modern works but the line still plays an important role in traditional painting lines superb performance skills and excellent cultural connotations has been inherited and By innovation。 Therefore the study of Chinese painting lines of historical development trajectory so that we Chinese painting lines on the inheritance and innovation of a more sober understanding is very important。 Chinese painting lines is a prominent characteristic of the rich performance it is so far the majority of countries in the art of painting the lines and by the level of difficulty。
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The "identity problem" becomes an opportunity for the "ink painting art" to re-enter the "modernization" and "internationalization", while the "experimental ink painting" urgently raised.
“身份问题”成为“水墨艺术”重新入主“现代性”、“国际化”的机遇，“实验水墨”也在这个时候被应急式地提出。
The appearance of the "post-modern eye" brought to the "ink painting art" an unprecedented liberation of identity as well as a trap that transcends the intrinsic nature and painting media theory.
“后现代之眼”的出现给“水墨艺术”带来了空前的身份解放，同时也使得“水墨艺术”获得超越固有本质和绘画媒介论的陷阱。
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