Since the image of Faust was first textualized, it has entered a process of constant and repeated description and dynamic construction from the perspective of Neo-historicist theory.
浮士德形象自文本化以来，按照新历史主义的理论规约，就已进入了不断修撰和反复描述的动态建构之中。
Based on the deconstruction of both giant western image and inflexible eastern impression, this part relates the subversion of the white's rescuing myth and the reshaping of neo-Chinese female images;
本章从解构西方人的“巨人形象”和东方人的“刻板化印象”入手，对白人的“拯救神话”进行颠覆，并重塑了新东方女性的形象；
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