This article starts with the culture identity of Bette Bao Lord, analyzing how Spring Moon constructs Chinese history in memory and narrative by way of I.

本文从分析包柏漪的文化身份着手，拟借助《春月》的历史叙事手段，层层剖析作品如何在记忆与叙事中建构中国的历史。

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I know, she is my memory of that round moon, and the chronology of those around her and does not seem to shadow.

我知道，她就是我记忆中的那轮明月，而她周围那些细碎的影儿又似乎不是。

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