But none have been as bold as the MFAH.

WSJ: Mari Carmen Ram��rez | Derivative Works No More | Cultural Conversation by Judith H. Dobrzynski

But when the MFAH gathered 35 scholars to discuss creating an archive, everyone realized that they couldn't do a complete archive of Latin American art even if the start date for artists' inclusion was 1900.

WSJ: Mari Carmen Ram��rez | Derivative Works No More | Cultural Conversation by Judith H. Dobrzynski

In addition to the Turner seascape, in which we can see early signs of the artist's late swirling abstractions, the MFAH show includes two rare hunting scenes by Gainsborough, and a thrilling Edwin Henry Landseer picture of a heron caught in the grip of a hawk.

WSJ: Rembrandt, Van Dyck, Gainsborough: The Treasures of Kenwood House, London | Museum of Fine Arts, Houston | Status Symbols | by Willard Spiegelman