...容或者会蒙蒙轰炸,尔战她会一共看瞅蒙伤己员照彼刻阿谁样子容貌,尔借非没无要再思她了倒正在17百年,英邦的艾斯泰尔(mary astell)败替这个期间最急退也非最系统的儿性次义者她的行静被毁替英邦熬头主稍具规模的儿性次义抗让那主抗让的组败承事非,英邦其时处于资...
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Mary Astell is clearly responding to this.
玛丽·阿斯苔对此作出明确回应。
It's as if Mary Astell were saying, "Well, Milton was on the right track. He simply didn't go far enough.
玛丽·阿斯苔似乎是在说:,“好吧,弥尔顿方向正确,只是行之不足。
So Milton for Astell is hardly the embodiment of orthodoxy that he is for Lady Mary Chudleigh.
鉴于此,对于阿斯苔来说,米尔顿不再是玛丽查德利夫人所引用的那个代表正统的标志。
It's as if Mary Astell were saying, "Well, Milton was on the right track. He simply didn't go far enough.
玛丽·阿斯苔似乎是在说:,“好吧,弥尔顿方向正确,只是行之不足。
Now it has to be said that Mary Astell's image of Milton is probably the product of a much closer reading of Paradise Lost than Lady Mary Chudleigh's was.
不得不说,玛丽·阿斯苔对弥尔顿有如此印象,很可能是因为她对《失乐园》的解读,比玛丽·恰德莱夫人的更加细致。
And he's the voice of political subversiveness for others, as he was for Mary Astell.
对于另一些人,正如对玛丽·阿斯苔,他又是政治颠覆的代表。
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