No claim is made that the work is without flaw or that facts have been interpreted without possible fault.
作者并不以为本书完美无瑕,对事实的解释已经无可挑剔。
Until Marx and Engels , the mainstream of tragedy figures had been that tragedy figure is either at flaw or fault rather than in perfect state;
直到马克思、恩格斯,悲剧人物论的主流是:悲剧人物是有缺陷有过失的人物而不是完美人物;
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