In the post modern times of Chinese painting, we must build up high spirit again, keep up creativity freedom and take high sight on our tradition so much as a cultural strategy.
中国画进入后现代时期,需要我们重振精英精神,坚持艺术的自律性和创造性,同时还要重视传统作为文化策略的重要意义。
Taylorism, which Charlie Chaplin lampooned so memorably in “Modern Times”, has spread from the industrial to the post-industrial economy.
泰勒主义,查理.卓别林在“摩登时代”很明显讽刺过的,已从工业弥散到了后工业经济。
After spreading into the west, how does the Buddhist tradition reestablish itself in the cultural context of modern or post-modern times?
传入西方社会的佛教传统如何在一种(后)现代的文化语境中重新确立自身的文化身份?
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