1994年9月应邀赴英国东安哥利亚大学(诺里齐市)参加《中国画的本质》（THE NATURAL OF CHINESE PAINTING）国际学术讨论会并在会上宣读论文《人性的完善与生存空间的完善-论中国山水画的起源》。
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No matter the source of the philosophy thought, than aesthetic principle they follow the natural planting form and Chinese ink painting is related by flesh and blood.
无论是哲学思想的源泉，还是它们所遵循的美学原则，自然式植物种植形式和中国水墨画都有血肉相连的关系。
The art of Chinese painting is an embodiment of Chinese civilization, which mirrors human and natural, and human and society.
中国画艺术是中华文明集大成的体现，是反映人与自然，人与社会的一面镜子。
The idea of gradual accumulation of wealth -it is both creation and appreciation of Chinese painting of the scale, but also for understanding the natural world and grasp.
逐步积累起来的思想财富——它既是中国画创作和鉴赏的尺度，也是对于自然万物的理解和把握。
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