The fourth part is Luc Besson film style brand establishment and inspiration on the Chinese films.
第四部分,吕克·贝松电影风格品牌建立及对中国电影的启示。
However, many scholars vainly think about protecting Chinese film with a national flag, which tries to let the Chinese films grow gradually in its own greenhouse.
然而,许多学者妄想扛着民族电影的大旗来保护中国电影,试图让中国电影在温室中自己慢慢成长。
Chinese and Korean filmdom have got good communication in recent two years and you have also come to China many times, what's your impression of the Chinese films of today?
这两年中韩电影界有很好的雷同和交换,你本人也多次来过中国,你对本日的中国电影记忆如何?
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