1996年，我在提交第一届上海双年展的论文《从写实到具象》中，就提出了“具象绘画”(Representational Painting)的概念。我所理解的具象绘画，应该定位于传统写实绘画和当代抽象绘画之间。
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However,the creation of representational painting is thin in this area,even more in the theoretic researches.
然而架上绘画特别是具象油画关于这一领域的创作还比较稀少,更缺乏理论上的研究。
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Composition is the bedrock of every good representational painting.
构成是每一个代表性优秀绘画的基石。
Secondly, the representational painting is as one kind of visual arts, it is very important to study the essence which based on the visual experience.
二是具象绘画作为视觉艺术的一种，研究其建立在视觉经验基础之上的本体至关重要。
This essay is discussing the universality and importance of the existence of the factors of abstract style within the range of representational painting.
本文在具象绘画的范围内论述抽象形式因素存在的普遍性和重要性。
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