Now that Apple has both a digital editor and Nothing Real's high-end special-effects applications, it has the makings of a serious digital filmmaking software suite.
Nothing Real's clients are the very high end of the film and post-production industries, so this acquisition should get Apple technology into those top-tier production facilities.
When we have separated them, using nothing more than beginner's instinct (disqualifying ones that look too real to be true, for example), Roxanne smiles.