In this sense, not only China, almost all the aftermath of the country's modern literary criticism discourse is "inter-lingual nature" identity.
因而,不仅中国,几乎所有后发现代性国家的文学批评话语都具有“语际性”。
The fashion happens as a result of the enlargement of public discourse space and the writers' center marginal tendency, and the internal need of literary criticism aesthetic creative nature.
这种话语时尚的发生既是公共话语空间的扩大、作家的中心边缘化的结果,也是文学批评审美创新性的内在诉求的结果。
And the external trouble roots from the marketing propagation and the discourse hegemony in literary criticism.
外患“则主要指市场的追捧和文学批评的话语霸权。”
That's why the poem, the lyric poem, is privileged among the forms of literary discourse in the New Criticism.
这就是为什么诗,一首抒情诗,在新批评派眼里要优于其他各种文学形式。
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