Substance sadness is an important concept of Japanese traditional aesthetic judgment while substance feeling is a major field of Chinese aesthetics and art theory.
“物哀”是日本传统审美意识中的一个重要观念，“物感”是中国古典美学和艺术理论的重要范畴。
Cross theory promptly to traditional Chinese art and modern to design comparative law of using, illustrate law, deductive method, cross law, etc. way carry on network analysis.
交叉论即对中国传统艺术和现代设计运用比较法、例证法、演绎法、交叉法等方式进行系统分析。
The designers can get essence from traditional Chinese art theory if they want to rebuild an interior culture with traditional Chinese characteristics.
设计师如想重新建立一个具有中国传统特色的室内文化，需从中国传统艺术理论中吸取精华。
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