Chinese modern poems is not only facing the unconcerned exterior plight of being isolated by the social mass, but the interior plight in the aspects of poetry composing, reading, and criticizing.

世纪之交的中国新诗面临着遭遇社会大众集体性疏离、冷漠的外部困境，同时新诗在创作、阅读与批评等方面也面临着内部困境。

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Among the numerous poets in the history of Chinese modern literature, He Qifang is called "dream-drawing poet", and his poems and proses are classified as "monologue"style.

在中国现代文学史上众多的诗人中，何其芳被称作“画梦诗人”， 而他的早期散文则被称作“独语体”。

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The relationship between subjects and objects in creating poems is an important problem in Chinese modern poetry theory.

诗歌创作中主体与客体的关系是中国现代诗学中一个重要的理论问题。

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