The resulting composition, known as Albinoni's Adagio, bears little resemblance to most of Albinoni's work and is considered fraudulent by most scholars.
If, after several hours, this hope doesn't return, he will pause to gather himself, and then he and his cello will coax Albinoni's Adagio out of the firebombed husk of Dresden and into the mortar-pocked, sniper-infested streets of Sarajevo.