龟兹石窟就建造在古龟兹国的境内。龟兹石窟是龟兹国境内石窟的总称，包括有克孜尔石窟，库木吐拉石窟，森木塞姆石窟，克孜尕哈石窟，玛扎伯哈，托乎拉克埃肯石窟等六处主要石窟以及台台儿石窟，温巴什石窟1托乎拉克店石窟，亚吐尔石窟等小石窟。
文章从文化功能学的视角，解读龟兹石窟壁画的意义和功能。
The author of the present article tries to decoding the meaning of the paintings in Qiuci Caves from the cultural functional perspective.
本文把龟兹石窟壁画划分出八种类型，归纳出了每一类型的艺术风格特点，并对每一类型的年代及它们之间的关系进行了研究。
The paper divides the wall paintings in Qiuci Grottoes into 8 categories, concludes the artistic style for every category and discusses the date of these wall paintings and relations between them.
龟兹佛教石窟有其主要内容和特点，阿艾石窟则表现出深受中原佛教艺术的影响，是这一时期龟兹地区东西文化交流的见证。
Ah-ai grotto fresco shows that it had been deeply influenced by the Buddhism of the hinterland of China. It was a proof of east-west cultural exchanges in Kucha.
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