维特根斯坦的反私人语言论证既是对传统的心灵问题、意义理论的批判又是后期哲学思想意义使用论和语言游戏理论的深化。
Wittgenstein's argument against private language is not only the critique to traditional mental problems and the theory of meaning, but also has deepened his later philosophical theory.
本文借助文体学的相关理论 ，在宏观上从两个方面分析当代美国剧作家大卫·迈梅特的戏剧《游戏之屋》的戏剧语言运用技巧与风格 ，揭示当代戏剧语言日趋口语化、生活化的特点。
This paper will discuss how David Mamet employs dramatic language in his famous drama House of Games, and concludes that modern dramatic dialogue is more and more oralized and naturalized.
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