西方现代派戏剧在中国经历了两起两落的过程。
Western modernist drama has fallen twice and risen twice since its introduction to China.
巴厘戏剧通过阿尔托的“残酷戏剧”理论，影响到西方现代派戏剧。
Bali theatre influenced the West theatre of post - modernism through Artaud and his theory of "cruel theater".
本文所研究的现代派戏剧理论，贯穿了从1880到1930年整整半个世纪的西方剧坛。
The article deals with the modern drama theory between 1880 to 1930 in the western dramas's history.
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