第四部分，在关于艺术与真理的问题的关系问题上，论文从传统真理观逐层深入地进行分析，从真理与自由、真理与非真理角度得出存在的真理即“无蔽”。
He explores the relationship by means of analyzing the traditional views on truth and draws ainconclusion that the truth of "Being" is "Alotheia", which founds itself in the artistic works.
他基于海德格尔存在论的真理观，通过追问艺术经验领域中的真理问题，明确地提出了“解释学包容美学”的命题。
The prerequisite for Gadamer to bridge hermeneutics and aesthetics is his belief on the equality of the art experience and the truth.
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