注 释: [1]燕卜荪(william Empson,1906一1954)是英国诗人、批评家,也是二十世纪四五十年代盛行的英美新批评派的代表,在剑桥大学曾受业于著名的语义学家艾·阿,瑞恰慈...
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...分既搞理论又搞创作:艾略特(Eliot)作为诗人比 作为理论家更为重要;瑞恰兹( Richards )是诗人兼剧作家; 燕卜荪 ( Empson )的诗被受李维斯推崇;兰色姆( Ransom )与退特 (Tate)的诗歌创作很有特色;沃伦(Warren )是小说家兼诗人,他的 小说All the...
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Chapter 2 sums up the three groups of subject-matter Empson oftenuses in his poetry.
第二章把燕卜荪诗歌中常用的主题总结成三组。
参考来源 - “天赋朦胧”In 1930, William Empson, the British famous critics and poet, published his works Seven Types of Ambiguity. In this book, Empson discusses the ambiguity which is the essence of the poetry, which initiates people to ponder this question again.
1930年,英国批评家、诗人威廉·燕卜荪的Seven Types of Ambiguity(《朦胧的七种类型》)一书出版,将朦胧作为诗歌的本质进行了深入探讨,引发了人们对朦胧问题的重新思考。
参考来源 - 李商隐“无题诗”中的“朦胧”在英译中的传递·2,447,543篇论文数据,部分数据来源于NoteExpress
燕卜荪的《复义七型》是第一部将语义学中的“复义”问题专门提出来进行研究的著作。
William Empson, in the book of Seven Types of Ambiguity, first makes a research in the ambiguity of semantics.
燕卜荪模式,是指在文学批评中,以文本中一个字或一两段句子为批评对象,用来证明批评者提出的某一个理论观点的合理性。
The mode of Empson in the literary criticism refers to the mode of choosing one word or sentence as the critical object to prove the rationality of a certain theoretic idea put forward by a critic.
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