现在关键的挑战是把渐进性的大幅关税减免与允许例外的“灵活性”相平衡。
The key challenge now is to balance the deep, progressive tariff cuts with “flexibilities” that offer exceptions.
他将寻求赎罪而“徘徊于善恶之间”的角色表现得活灵活现,将内心世界的纠葛与矛盾展现得淋漓尽致。 1916年上映的《地狱的铰链》与1920年的《关税》达到了他的艺术顶峰。
He embodied “the good-bad man”, a figure in search of redemption, and reached his peak with Hell’s Hinges (1916) and The Toll Gate (1920), and he bowed out in 1925 with the epic Tumbleweeds.
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