韦尔施则指出,后现代绝不是一种超现代和反现代,后现代是激进的现代(radikal-modern),而不是后-现代(post- modern),他把“后现代”视为当今现代性的一种特征,认为“我们的现代是具有后现代特色的现代”[17]。
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拥护激进的现代建筑与回归传统形式的建筑这两大观点正发生着激烈的碰撞。
Advocates of a radical modern architecture were matched by those who favoured a return to traditional forms.
阿尔文·艾利美国舞蹈剧形成于20世纪50年代,并很快树立自己为激进舞蹈艺术和现代舞蹈的最主要的典范。
The Alvin Ailey American Dance Theatre was formed in the 1950s and quickly established itself as a leading exponent of progressive choreography and contemporary dance.
伊莎多拉·邓肯被誉为“现代舞之母”,就连芭蕾也受到了她锐不可当的激进观念的影响。
Isadora Duncan is known as the "Mother of the Modern dance", but even ballet was influenced by the radical elan of her ideas.
But all of this is overthrown, "changed utterly," by the radical politics that altered Ireland during Yeats's lifetime, that announced the coming of modernity and that these two women themselves participated in centrally.
但这一切被推翻了,完全改变“,被叶芝时期的爱尔兰,的那场激进政治革命改变了,他宣告了现代的到来,这两个女人亲身参与其中。
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