从别墅宽广的阳台看出去，可以见到一个很像沼泽的人工湖，湖面上散布著一株株枯木的树干，似乎是一个对死亡情有读中的人所设计出来的景观。

Its broad balconies look out over a swampy artificial lake that is dotted with the skeletons of dead trees a vista created by a man who seems to have felt a kinship with death.

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景观设计遵循步移景异和非正式的原则，沼泽区的绿化延伸到建筑，这是奥姆斯特德的浪漫主义传统。

The landscape design follows Olmsted's Romantic tradition of winding paths and informal planting to draw the greenery of the Fens into the building.

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同时沼泽湿地景观的破碎化显著，斑块数量增加了46 % ，斑块密度净增加两倍。

The number of patch has increased 46%, and the density of patch has increased two times.

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