...3年《亚洲时代周刊》的一期封面文章指出,日本正从一个“制造的日本”(manufacturing Japan)转向“文化的日本”(cultural Japan),说得再清楚一些就是:日本正从产品制造大国朝着“酷文化”输出大国转变。
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和那些想要领略各种美国文化的日本年轻人一样,我也(而且肯定还有别人!)试图抓住他们的那种异域之美的魅力所在,并据为己有。
Just as some of the youth in Japan attempt to appropriate parts of American culture, I too (and I'm sure there are others!) tried to grasp at the allure of this foreign aesthetic and make it my own.
他们观看日本文化的录像。
众所周知,自从我们开始使用筷子吃饭以来,中国的“饭碗”文化已经影响了一些亚洲国家,如日本、韩国和越南。
As we all know, the "rice bowl" culture of China has influenced some Asian countries such as Japan, Korea and Vietnam since we started to use chopsticks while eating food.
I used it so that they could record all of the books that they read about Japanese culture.
我用它是为了让孩子们能记录下,他们读过的所有有关日本文化的书。
What I tried to do was to encourage the children not only to learn about a new culture, the Japanese Culture, from this Star Festival, but to also start thinking about what their own background was.
我所做的就是鼓励孩子们,不仅仅是通过七夕节来,了解全新的日本文化,而更要开始思考,自身的文化背景。
And every musical culture around the world-- and I've talked with ethnomusicologists about this particular point-- every musical culture around the world, Chinese, Japanese, Indonesian, Indian, African whatever, they all use this phenomenon of octave duplication in their music-- octave duplication in the music.
世界各地的每一种音乐文化,我曾经和一些民族音乐学家谈论过这一点,世界各地的每一种音乐文化,中国的,日本的,印尼的,印度的,或是非洲的,大家都有这种现象,即在自己的音乐里运用,这种重复八度
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