世纪50年代的爵士萨克斯管吹奏者保罗·戴斯蒙说他想要他的乐曲听起来像干马提尼，听听他创作的曲子《休息五分钟》吧。
1950s jazz saxophonist Paul Desmond said he wanted the sound of a dry martini. Just listen to his composition Take Five.
托尼调制超级干度马提尼时，仅吸取了150微升的这种“干燥香精”，放进了苦艾酒的瓶子中。
To makesuperdry martinis, Conigliaro pipettes 150 microlitres of this "dryessence" into a bottle of vermouth.
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