“意境”是李可染的艺术观中最核心的概念。

Artistic conception "was the essence of Li KeRan's artistic viewpoints."

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然而，李可染的画法又靠了传统笔画的表现手法。

However, Li Keran maintained traditional Chinese brushstroke techniques and painting skills.

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如果说黄宾虹的艺术更加文人化，那么，李可染的艺术则更加大众化，后者更易于被广大读者所接受。

Huang's art is more appreciated by the educated, while the works of Li Keran are more popular among the ordinary people.

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