韦拉斯哈古：对所发生的事件是有报道的，但是媒体没有关注当地的人们以后的事情，也没有注意到这件事如何对他们的心理带来创伤的。
AW: There are reports of what happened but they are not focused on individual or collective experience of what happened afterwards, or what happened to their psychology, how they were traumatised.
韦拉斯哈古：对于这个作品我运用了不同的模式，因为他们都不是专业演员，他们是农民，所以这更多的是一个合作的项目。
AW: For this installation, I operated in a different mode, because these are not professional actors, they are farmers, so it was more of a collaborative project.
在2007年《曼谷邮报》的一篇文章中，韦拉斯哈古写道，“作为一个导演，我把我的作品视为自己的儿子或女儿。”
In a 2007 Bangkok Post article, Weeresathakul stated, 'I, as a filmmaker, treat my works as I do my own sons or daughters.
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