尽管叙事学研究表现出强劲的跨学科、跨媒介态势,但"叙事虚构作品"(narrative fiction),即小说,始终是文学叙事研究的重要领地。2010年,徐岱教授力推新著.
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在叙事虚构作品中，不能将作品的作者等同于作品的叙述者、将作品中的叙述声音等同于作者的声音。
In reading narrative fiction, we should not equate the author with the narrator or equate the narrative voice with the voice of the author.
同样属于虚构类叙事作品的影视艺术日益取代小说的位置而成为当今人们精神和情感活动的主要支撑。
Films and TV plays, belonging to the same type of fictitious narrative works of art, have increasingly replaced novels as the pivot in the spiritual and emotional activities of modern people.
汉魏六朝时期出现的大量具有虚构成分的叙事作品，足以说明当时人们较普遍地具备了自觉的虚构意识。
Fictitious elements manifested in narrative works in Han Wei and the six dynasties demonstrate that people of that time generally had a fictitious awareness.
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