本文以藏传佛教艺术中最主要的绘画形式——“唐卡”的技法材料为主要研究对象，同时也必不可少地涉及到其艺术表现形式和审美意蕴。
In Tibetan Buddhism, the main art form of painting--thang khatechniques and materials for the main study, but also essential to involve the art form and aesthetic subjects.
中国人物绘画由开始对印度佛教的交流、接纳、吸收，到后来消融并成为自己的艺术。
Figure painting in China from the beginning of the exchange of Buddhism in India, to accept, absorb, and then to melt and become their own art.
重点放在了绘画的精神特质和艺术家的能力，揭示了人与自然的内在和谐，自觉按照道教和佛教的概念。
Emphasis was placed on the spiritual qualities of the painting and on the ability of the artist to reveal the inner harmony of man and nature, as perceived according to Taoist and Buddhist concepts.
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