Noyes' approach differed profoundly from Bel Geddes' and from that of other exponents of streamlining such as Raymond Loewy and Henry Dreyfuss.

FORBES: Money Follows Form

Out for the visitor to look at (but not to sit on, alas) are Maloof's first sofa and some early chairs flagrantly Danish in inspiration, but lithe and lovely in walnut, maple and the occasional exotic hardwood and the prototype home-office furniture he fashioned for industrial designer Henry Dreyfuss.

WSJ: Sam Maloof | The House That Sam Built | Comfort and Joy | By Jeremy Hildreth