Architects such as Dankmar Adler, Daniel Burnham, John Wellborn Root and Louis Sullivan, making use of such innovations as steel, lifts and electricity, soon developed the skyscraper.
Daniel Garber employs broken Impressionist brushstrokes in "The Bridge at New Hope" (1952), its steel-truss span evoking the serene industrial views of Charles Sheeler and the American Precisionists.