北京大学哲学系 彭 锋大约在70年前,宗白华从比较美学(comparative aesthetics)的角度清晰地揭示了中国绘画的某些独特特征。宗白华的这些文章至今仍然被视为中国绘画理论研究方面的典范之作 。
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Prose translation from Chinese to English should orientate itself ultimately towards Sino-western Comparative Aesthetics.
散文英译应以作为中西艺术哲学比较研究的中西比较美学为指归。
But after considering the present research situation, the academic circle is insufficient to his rich comparative aesthetics thoughts.
但从目前的研究现状来看,学术界对其丰富的比较美学思想关注不够。
In the context of comparative aesthetics, the problem that which discourse subject should have the discourse power does not exist, and the Eastern and Western aesthetics should communicate equally.
在比较美学语境中,“话语主体”不存在谁占据“话语权力”的问题,东西方美学应处于平等对话的地位。
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