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commedia

  • 喜剧
  • 神曲

网络释义专业释义

  喜剧

...影戏(Tholu Bomalatta),土耳其卡拉哥影戏 (Karagoz),希腊的卡拉卲欧西斯影戏(Karaghiosis),义大利艺术喜剧Commedia),德国 的贾士博(Kasperl)及汉斯佛斯特(Hans Wurst)掌中偶戏,法国温纽掌中偶戏(Guignol) 及影戏(Ombres Chinoises),英...

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  喜剧作品

... Luisa (人名)路易莎 commedia 喜剧, 喜剧作品 lacandiera 女店主 ...

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  即兴喜剧

此次,她创作的大型装置艺术取材自意大利“即兴喜剧Commedia dell’Arte)”中的角色和传说。即兴喜剧起源于16世纪,其深厚文化影响一直延续至今。

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短语

commedia dell'arte 即兴喜剧 ; 假面喜剧经典

Divina Commedia 神曲 ; 神 ; 空间

commedia dell'arte masks 即兴艺术喜剧面具

La commedia e finita 到此结束 ; 到此终了

La Divina Commedia 神的喜剧 ; 唱片名

la commedia 喜剧片

Commedia dell 即兴喜剧

The Commedia Dell'Arte 意大利即兴喜剧 ; 即兴喜剧

Commedia Divine Comedy 神曲

 更多收起网络短语
  • 《神曲》 - 引用次数:4

    La Divina COMMEDIA written by Dante Alighieri has epoch-making as the epic of the Middle Age no matter to the history of literature or to the history of pensee.

    但丁的《神曲》作为“中世纪的史诗”,无论在人类文学史上还是思想史上都具有划时代的意义。

    参考来源 - 寓人于神

·2,447,543篇论文数据,部分数据来源于NoteExpress

双语例句原声例句权威例句

  • Faced with the internal and external disorder, Dantes finished one eternal pursuit in his Divina Commedia in the turning point of Middle Ages and Modern Ages.

    在中世纪 近代文化交界地带,但丁面对 内在 外在的价值纷乱,长诗《神曲》中完成了一次终极追寻

    youdao

  • La Divina COMMEDIA written by Dante Alighieri has epoch-making as the epic of the Middle Age no matter to the history of literature or to the history of pensee.

    但丁神曲作为中世纪史诗”,无论人类文学史还是思想史上都具有划时代意义。

    youdao

  • No, if anything I felt closer to traditional and old-fashioned theatrical acting. Masks were after all more common in old theatrical forms, like kabuki and commedia del art.

    觉得觉得那种老式表演方式更接近了。面具老式的表演方式常见。就像歌舞伎。

    youdao

更多双语例句
  • The Punch and Judy tradition of puppet shows has its roots in the sixteenth century Italian Commedia dell'Arte theater.

    VOA: special.2009.09.23

  • But Ed felt sure that his own particular version of the commedia would be finita all too soon.

    NEWYORKER: After the Movie

  • Others made him far older, dating from the Athenian drama and the Japanese noh plays, via the commedia dell'arte and Charlie Chaplin.

    ECONOMIST: Bip

  • That work came out of the 16th-century Italian tradition of commedia dell'arte, in which traveling actors took on stock roles and interacted with the audience rather than sticking to a script.

    WSJ: One Spring, Two Farces

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