From childhood we are sold on an ideal image of beauty, one few of us ever see reflected when we look in the mirror.
童年起,当我们照镜子时,我们只看到一个美丽的形象,却很少有人它所反映的东西。
If, this evening, the image of a certain childhood comes back to me, how can I keep from welcoming the lesson of love and poverty it offers?
若是有一幅如此这般的童年图景今晚回到我心中,我又怎能不欢迎其中所包涵的爱与贫穷的真谛呢?
In the forth part, it is answered why Su Tong is always infatuated with image, referring to his childhood experience, region factor, culture influence and aesthetics ideal.
第四个方面从童年经验、地域因素、文化影响、美学追求四个层面探讨苏童之所以执着于意象营造的动因。
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