Yet the third go-round conventionalizes its hero by throwing him into repetitive struggles with his dark side. (Clothes and the man make each other here, since the black symbiotic substance that's responsible for his darkness and alarming arrogance turns his costume from red and blue to jetblack.) And the script traps him and M.
For fall, she gets a black-and-oyster lame dress, a metallic tweed suit and a jet-black silk and wool gown with a beaded back, cutout bodice and mermaid hemline.