In 1975, Lili (Isild Le Besco), a quiet upper-bourgeois Parisian girl bored with her twin roles as daughter and art student, abruptly takes up with a handsome, gentle-looking boy (Ouassini Embarek) of Moroccan descent.
If her technique is hardly more than that of a home movie, her strategy is complex: the myth of the unimpeachable innocence of wild children against an uncaring world converges with the public image that Le Besco, the actress, projects.