The first thing one notices on the majority of the 171 tracks here is the way the band swings as a whole, whether in the syncopated two-beat of the 1929-30 sessions, which employ a banjo and tuba in the rhythm section, or in the more smoothed-out solid-four grooves of the band in the war years, propelled by guitar and bass in addition to Hines himself.
Building upon both classical and post rock influences, Balmorhea's third album, All is Wild, All is Silent, shines with the addition of an upright bass and drums to accompany its emotive instrumental pieces.
In addition, the sub bass was redone entirely up to modern specifications and care was taken to improve dialogue and correct small technical flaws to create the most complete and highest quality version of the sound possible while retaining the director's vision.