But somewhere from the 19th century onward, more artists began seeing happiness as meaningless, phony or, worst of all, boring, as we went from Wordsworth's Daffodils to Baudelaire's Flowers of Evil.
但从19世纪某个时间点开始,更多的艺术家开始认为幸福毫无意义,是虚假的,最糟糕的是有人认为它很无趣,就像我们从华兹华斯的《咏水仙》到波德莱尔的《恶之花》中读到的一样。
当我们从青年到人。
As we went from one magnificent masterpiece of painting, sculpture, or architecture to another, I began to feel that I was looking at something very familiar.
当我们从一个个华丽宏伟的艺术杰作,比如绘画、雕塑、建筑之间走过的时候,我发觉我所看到的都是似曾相识的东西。
As we went from a company with $300 million to $3 billion to $60 billion, we had to put processes in place, for sure, to deal with the complexity of what we were trying to accomplish.
我们公司的资产由3亿美元,增加到30亿,600亿,所以我们应该有套程序,来处理这么复杂的情况,实现我们的目标。
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