Rows of closely spaced numbers, sometimes seen in reverse as if in a mirror, form a flat, rectangular, silvery field of dark gray numbers set against similarly colored, slightly lighter backdrops, which extend beyond the numbers as a framing device. (His sometimes vertical, rectangle-within-a-rectangle compositions are sometimes reminiscent of Mark Rothko.) As in computer graphics, the works are “spotlit,” making some numbers more brightly lit than others, or some seen glowing, as if backlit.

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