Thomas Mann in his novel Doktor Faustus tells the story of a composer based mainly on Arnold Schoenberg, whom resentment drives to make a pact with the Devil.
托玛斯曼在他的小说《浮士德博士》里以勋伯格为原型塑造了一个出于愤恨与魔鬼作交易的作曲家。
When you listen to atonal music, for example Schoenberg, you are stuck in your seat for a quarter of an hour that feels like many hours in a dentist's chair.
听无调性音乐时(比如勋伯格),在座位上坐一刻钟简直有如在牙医的诊断椅上坐了几小时。
Kandinsky attended a performance of Schoenberg's music in 1911, and afterward wrote to Schoenberg.
1911年,康定斯基参加了勋伯格的一场音乐会,之后,他写信给勋伯格说。
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