事实上，当日本受邀提交一部影片参加威尼斯电影节时，最初正是此类影片中的一部——今井正(Imai Tadashi)的《待到重逢时》(Until We Meet Again, 1951)获得了推荐，不过最终被选中参赛的却是《罗生门》。
In fact one such, Imai Tadashi's Until We Meet Again (1951), had initially been proposed when Japan was invited to submit a film at Venice, but it was Rashomon that was ultimately chosen.
在此次谈论中所表达的观点只是罗门。尼斯的一些观点。
The opinions expressed in this commentary are solely those of Joe Solmonese.
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