他具体地观察了拉尔夫·斯宾塞的一举一动。
在这方面,它将类似于斯宾塞的《仙后》,或者,更为重要的,维吉尔的《埃涅阿斯记》——其他民族主义史诗。
In this respect, it would resemble Spenser's Faerie Queene, or perhaps, more importantly, Virgil's Aeneid—other nationalist epics.
这场婚礼的问题在于,每个有头脑的人都记得1981年王室继承人查尔斯·温莎和戴安娜·斯宾塞的最后一场婚礼。
The problem with this wedding is that everyone with a brain remembers the last wedding of a royal heir, Charles Windsor and Diana Spencer back in 1981.
In this respect it would resemble Spenser's Faerie Queene, or perhaps more importantly, Virgil's Aeneid -- other nationalist epics.
这样的话它就会与斯宾塞的《仙后》,更重要的,维吉尔的《埃涅阿斯记》等一些民族主义史诗相类似。
Okay. That's the end. I want to remind you a final time to look at your Spenser, the cave of Mammon episode, as well as Dr. Johnson's brief comments on Sin and Death.
好,就讲到这,最后一次提醒你们,阅读斯宾塞,贪欲之神的洞窟的故事,还有约翰逊博士对《罪与死亡》的简评。
In the works that Milton is going to be publishing now with greater and greater frequency, it's this Spenserian ideal of marriage that will be the new and, believe me, the endlessly complex Miltonic subject.
在弥尔顿准备出版的作品中,越来越常出现的,是斯宾塞式的婚姻理想,那将是崭新的,相信我,也是无尽而复杂的弥尔顿风格的题材。
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