现象学文学批评方法从根本上来说涉及到个体读者如何参与到文本中去,以及读者与文本的聚合是怎样使文学作品诞生的。
The phenomenological approach to literature is fundamentally concerned with how individual readers engage with texts, how the convergence of the reader and text brings the literary work into being.
本文着重从哲学本体论的角度来审视文学作品中的“怀旧”意识以及它在文学文本中的呈现。
This thesis is about to examine the consciousness of "Nostalgia" and its aesthetic expressions in the literary texts from the opinion of philosophical ontology.
高师文学教学与中学文学作品教学相重复,是一个不容忽视的问题。
It is an ignorable fact that the repetition of Literature Teaching exists in teachers college and in middle school.
What did we lose in our understanding of it as a literary object when the second half was not published?
将它置于文学作品之列来理解时,我们失去了什么?,书的后半部分没出版时?
Does Milton only seem powerful because he has the force or the strength of the age-old literary canon behind him?
他之所以看起来充满力量,是因为身后的作品被人们奉为文学经典呢?
no surprise] as we refer to the objects they are meant to present - a defect in a literary text."
当我们讲到它们所想要表现的东西时,但这正是文学作品的一个缺点“
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