但在哈莱姆文艺复兴运动之后,文艺界以黑人男作家充满种族冲突的“抗议文学”占主流,赫斯顿及其塑造的黑人女性新形象湮没在历史的尘埃中。
After the Harlem Renaissance, the black men writers' "protest literature" that are full of racial conflicts occupied mainstream, Hurston and her positive black women images were neglected.
它在美国文学中占有非常重要的地位,开创了美国文学中抗议小说的先河,成功地塑造了别格。
It broke a path for American protest novel, successfully portrayed the character, Bigger Thomas, and mercilessly exposed the racial discrimination existing then in American society.
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