The first chapter mentions three themes of Hou Hsiao Hsien's art films, which consisted of individual memory of youth, special vision of Taiwan history, and unfamiliar experience in big cities.
第一章：论侯孝贤电影的三个主题——从文化角度对侯孝贤电影进行考察，包括：个人化的青春情结；本土化的历史视野；陌生化的都市体验。
参考来源 - 侯孝贤电影研究·2,447,543篇论文数据，部分数据来源于NoteExpress
这是一部谈美、谈心情和感伤寂寞的电影，也一贯吻合侯孝贤本人的风格。
This is a talk about the United States, about feeling lonely and sad film, Hou Hsiao-hsien has always been my style anastomosis.
通过塑造这个细腻的女性角色和她起伏的情感变化，侯孝贤讲诉了他自己心中的武侠，一个中国式的传奇。
Through this exquisite female character and her range of emotions, Hou conveys his own idea of wuxia, a genre of Chinese fantasy.
《海角七号》出现之后，侯孝贤公开出来挺片子，丝毫不吝惜赞美之词，然而他有没有考虑到自己能不能做这样的电影呢？
"After Cape Seven" appear, Hou Xiaoxian comes out publicly a flat and thin piece, never stints praises the word, however does he have considered he can make such movie?
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