这就使成都双年展出现了这样的情形:现代性的艺术传播方式与反现代性的艺术创作实践相结合。
Thus the way of contemporary art transmission combined with the practice of art creation of anti modernism in Chengdu Biennale.
理论层面的讨论是围绕着现代性、经济的组织、大众传播媒介和全球化的语境下展开。
Accordingly, theoretical discussion is put in the Chinese context in the perspective of modernity, economic organization, mass media and globalization.
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