不过要把叙述整部作品的重任都放到不可靠的第一人称叙事者那摇晃的肩膀上去，也的确需要作家的自我克制，和对读者的信任。
Surely, it takes much more restraint-and far more faith in one's readers-to place the full heft of a book in the bumbling hands of an unreliable first person.
从隐含作者、叙事者和读者的距离出发，叙事者可分为可靠和不可靠两种类型。
Narrators can be roughly divided into two groups, reliableness and unreliableness, judged from the distance respectively perceived from hidden author, narrators and readers.
三层叙事和不可靠叙事者的使用显示了塞林格娴熟的写作技巧，对50年代青少年口语的演绎更使该小说与众不同，技高一筹。
His framework narration and Unreliable narrator enrich the content of the novel and his colloquial language of typical 1950s' students brings readers back in time.
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