黄铭哲和叶子奇均是在王赐勇的资助下，得以继续创作。
Wang funded both Huang and Tzu so they could continue to create art.
在黄铭哲90年代抽象风格之前，他已经在台湾艺坛上以写实风格享有盛名，但他对追寻艺术实践和创作并没有就此停止。
Prior to the 1990s abstract style, Huang has established himself in Taiwan as a prominent realism artist, yet his search for artistic practice did not stop there.
从现实主义的绘画方式完全转向非具象而带有抽象味的画家是如此罕见的，但在90年代黄铭哲就是这样冒险追寻抽象主义的绘画方式。
Rare as it is for a realist artist to transform its painterly manner completely. in the 1990s, Huang did just that and ventured into the oppositie of realism, abstraction.
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